Aesthetics

On the Inner Nature of Art

"Arthur Schopenhauer (February 22, 1788 – September 21, 1860) was a German philosopher. He is most famous for his work The World as Will and Idea.

Letters Upon The Aesthetic Education of Man

"A pivotal work by Friedrich Von Schiller was Letters Upon The Aesthetic Education of Man, (Über die ästhetische Erziehung des Menschen in einer Reihe von Briefen) which was inspired by the great disenchantment Schiller felt about the French Revolution, its degeneration into violence and the failure of successive governments to put its ideals into practice.  Instead, it had become a bloodbath. Schiller wrote that "a great moment has found a little people," and wrote the Letters as a philosophical inquiry into what had gone wrong, and how to prevent such tragedies in the future. In the Letters he asserts that it is possible to elevate the moral character of a people, by first touching their souls with beauty, an idea that is also found in his poem Die Künstler (The Artists): 'Only through Beauty's morning-gate, dost thou penetrate the land of knowledge.'"

An Essay on Beauty and Judgment

"Alexander Nehamas (born 1946) is Professor of philosophy and Edmund N. Carpenter II Class of 1943 Professor in the Humanities at Princeton University. He works on Greek philosophy, aesthetics, Nietzsche, Foucault, and literary theory. He graduated from Swarthmore College in 1967, and completed his doctorate on Predication in Plato's Phaedo under the direction of Gregory Vlastos at Princeton in 1971. He taught at the University of Pittsburgh and the University of Pennsylvania before joining the Princeton faculty in 1990. He is currently the Edmund N. Carpenter II Class of 1943 Professor in the Humanities."

The Critique of Judgement

"Immanuel Kant's Critique of Judgement, also known as the third critique, simultaneously completes Kant's Critical project and lays the foundations for modern aesthetics. The standard English translation is the one made by James Creed Meredith. The book is divided into two main sections, the Critique of Aesthetic Judgement and the Critique of Teleological Judgement, and also includes a large overview of the entirety of the Critical system, arranged in its final form. The Critique of Judgement constitutes a discussion of the place of Judgement itself, which must overlap both the Understanding (which proceeds within the determinist camp) and Reason (which exploits the camp of spontaneity)."

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